As The Turn concludes, they begin to see how the Turn and the Pledge complement each other. However, the reader remembers The Pledge and buries their discomfort because they’ve agreed to go on a journey. It’s jarring because the reader felt they were heading in a familiar direction, and suddenly they are elsewhere. The second act is called “The Turn.” Here, the writer changes the narrative course. The writer explains this situation they make it approachable and understandable. The first part is called “The Pledge.” The writer describes something ordinary: a familiar situation or thought. Then I realized it applies to any story.Ī good story consists of three parts. I loved the idea I’d discovered how the construction of magic tricks could somehow apply to narrative arcs in the MCU. Inappropriate for this weblog, but I keep chipping away. 24 movies are all intertwined to reveal a coherent finale. They’re sprinkled all over the place, and I would argue the finale of the first three phases of the MCU resulting in Infinity War and End Game. I wrote for months on this unpublished piece as I discovered Prestige Moments in the MCU. They’re not bringing something back but showing you something you’ve never seen before. It’s a stretch to call this moment a magical Prestige Moment. You gotta protect those you love with a secret identity. You see this in the first Iron Man, where we’re presented with Tony Stark, the trope drunken billionaire we see him go on the exceptional hero’s journey, and then in the final act, we see something we’ve never seen before. I’d recently watched The Prestige as I continued to write this piece and discovered a similarity between Marvel’s narrative structure and how Nolan describes the construction of a good magic trick. Looking for and documenting patterns and recurring themes. The purpose of this piece? Document how Marvel learned from its successes and failures.
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I’ve had this transcribed opening narration sitting in an unfinished article where I wrote about every Marvel movie leading up to the Infinity War and End Game. That’s why every magic trick has a third act, the hardest part, the part we call “The Prestige.” Because making something disappear isn’t enough you have to bring it back. Now you’re looking for the secret… but you won’t find it because, of course, you’re not really looking. The second act is called “The Turn.” The magician takes the ordinary something and makes it do something extraordinary. Perhaps he asks you to inspect it to see if it is indeed real, unaltered, normal. The first part is called “The Pledge.” The magician shows you something ordinary: a deck of cards, a bird, or a man. The TurnĬhristopher Nolan’s 2007 The Prestige opens with the following narration:Įvery great magic trick consists of three parts or acts. A repeated First Act as the Third isn’t a cheat it’s a new narrative experience because you’ve succeeded in changing the reader. I’ve pledged to explain my thought hopefully, you’ve been illuminated. See, if I’ve done my job in the Second Act, I’ve taught you a thing. The Double Beginning is repeating the first act as the third. How do I want to close this thought out? Turns out, confusingly, I repeat the beginning. I discovered it when I struggled to find my Third Act. There is a variant of Vanilla that I’ll call the Double Beginning. Looking back at the last hundred articles here, you’ll see this structure repeated.
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